When it comes to mixing, this virtually automatic process is invaluable, because it lets you use one layer to carve a sonic hole in another layer, giving two conflicting tracks enough room to breathe. Lets take a moment to look at one of the most recent powerful additions to SpectraLayers Pro 3: spectral casting and molding. ![]() Spectral casting and molding let you create tighter mixes And if you use Sony SoundForge Pro, then round-trip editing is virtually automatic. That's because SpectraLayers Pro 3 lets you unmix your audio by selectively isolating frequencies, splitting them off to new layers, and even sending them out to other applications for further processing. Virtually every engineer here at Sweetwater has had the eye-rolling experience of being told to "fix it in the mix." But what about when the mix is done? In the past, your options would have been pretty limited, but with Sony SpectraLayers Pro 3, the rules have change. Mastering tools let you fix problems after the mix Likewise, SpectraLayers Pro 3's harmonic selection tool lets you smoothly isolate hum and other static noises, as well as their overtones, and phase cancel them. Using SpectraLayers Pro 3's intuitive selection tools, you can easily select a specific frequency range, mark the pattern as noise, and remove or reduce those sounds from the mix.
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